Brent: I had the privilege to see you in action recently for 100 years since De Stijl, at the Open Air Museum De Lakenhal, in Leiden. I’ve been intrigued with what you do for a number of years, without actually getting a handle on why that is. And I think that this is okay – for … Continue reading
Brent: In painting you really do need to question why you go around the edge and paint the sides. Painting is about the face, the surface, and yes, the edge, which is not the end of the world, but is at the crossroads of a painting. The edge in painting engages the frame as something … Continue reading
Brent: In a recent body of work where you employ, as you are known to do, grids, colors, and lines, the horizontal predominates. The vertical is there, like an armature, or is seen through the stacking of horizontals, but it is the long flat bars or lines of color that activate and play the paintings’ … Continue reading
Brent: Pop, peek-a-boo, poking around, of color that is not of this world, though worldly set in architectural places that can eat up the logic of their interior. Indeed you have for lunch many of the preconceptions of the formal. Your sense of order of space and how you color it physical is full of … Continue reading
Brent: If color were a stamp then yours would be green. Though recently not all things have come up this way: You have moved into orange and apricot, banana yellow and powder blue, just for starters. Alan: I have been watching colors besides greens for years as I mixed or ground different pigments to achieve … Continue reading
Brent: Out of location, a thing found – wonders in ways that form a new thing, in a different location – this is generally how I sense your various projects working. Patricia: It is my experience of a location or an object in a place that is important to me. I think that I’ve been … Continue reading
Brent: You have been working on areas of color; vertical or horizontal bands of either matte paint or gloss paint with sometimes both present in the one painting at the same time. The structure between two areas of color, you couldn’t really call it a line, though, well, in the material – a space where … Continue reading
