Brent: I think we live in a funny color world: I mean the hills and trees, they are green, rust, brown, hay, and they are soothing. The bay, well that has every personality under the sun, and the moon… and I think of your work, and I think of the light that is much less … Continue reading
Brent: At first glance what appears formal, color oriented, geared towards the minimal, turns out to be more than the sum of the economy of a painting’s means. What serendipitously moves towards the ‘anything goes’ is in fact facilitated by a number of very considered alterations and decisions. While the surface does not necessarily show … Continue reading
Brent: As a sculptor you work fairly pure, neither adorning pieces with mounts nor placing your presentations on pedestals. If a “work” sits on the floor and only grows to somewhere around or below the knees, well, that is where it sits. You suspend. In this case the body becomes very aware of its own … Continue reading
