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Visual Discrepancies is a research blog dedicated to the thought processes and material necessities, the risks involved, for artists who are getting there where art is at.
Brent Hallard
San Francisco
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Visual Discrepancies is a research blog dedicated to the thought processes and material necessities, the risks involved, for artists who are getting there where art is at.
Brent Hallard
San Francisco
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Theme: Vigilance by The Theme Foundry.
why’s it snowing on your blog?
That time of year, Debra.
Just stumbled on your site — it’s great! Really nice work. Pls check out my work on the site above if you’re interested. Best of luck –
Michael Randall
Hi Brent. Well I just stumbled onto YOUR site, and was surprised and pleased to see your comment about my work. (So that only took like 7 or 8 months!) The blog is really terrific — some painters I know and some I don’t. Great interviews. Particularly liked the one with Don Voisine. I ran into him twice at openings this weekend in Brklyn. I checked out your work and found it beautiful. Kinda surprised you like my stuff — it’s heading in the opposite direction! I’m in a phase now where I think I’m trying to see just how many marks a painting can take before it collapses under it’s own weight… Just posted some new work to my site michaelrandallnyc.com — check it out and let me know what you think if you have a minute. Anyway, thanks for making contact and introducing me to your work. Let’s keep in touch –Best, Michael
just found your site
exciting and fresh
good artist
i specially liked the conversation with Brent & Richard Van der Aa
Brent, I came across your blog via “Character, Letter, and the Misbehave” – Mel Prest (a very interesting conversation about some very interesting work). This led me to your other conversations, all of which I found fascinating. I wrote an article for the archeologists, anthropologists, and scientists who are members of the Pleistocene Coalition. The article, “Ancient Art & Modern Language”, might be of interest to you–allot of the discussion relates to contemporary issues of cultural theory. You can access a PDF of the article on the bottom of the About page of my website. (I would have preferred to send this note privately but I couldn’t find an E-mail address or contact form so please delete it after you read it–but I’d love to hear any comments you might have about the article, positive or negative, if you get a chance to read it).
Michael